horses

Change of Scenery

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On Memorial Day weekend my riding buddy and I made the trip out to Jamaica Bay Riding Academy to try it out and to take a jumping lesson. Both of us have plenty of jumping experience, but it’s been almost a decade since we’ve done it and jumping is not available at Kensington. Now after several months of flatwork lessons and rebuilding our strength, we felt we were ready to make a go at it.

The problem with Jamaica Bay is getting there. It’s not that far, just down on the southern coast of Brooklyn, but it is not easily accessible without a car. It is possible to take the subway to nearby, but since the barn is located off the Belt Parkway, one would need to get a taxi from the train station. We chose to go this weekend because my riding buddy’s friends went out of town, leaving her with their car for the week. She planned to pick me up and drive out there, but at the last minute the car wouldn’t start. We hopped in a car service and made it in time for our lesson anyway. It worked out fine today, but taking a car service every time wouldn’t really be sustainable money-wise.

But oh man…I really, really wish I had a car because this place is so nice. It was  a little shell-shocking to be confronted with an actual working lesson barn like that after so many months of craziness at Kensington. When you walk in, there is a huge room with a snack bar and tables and observation windows looking into the  sizable indoor ring. Off to the side of that is an office where a friendly and efficient woman with a microphone announced our arrival to our trainer. The stables are sprawling and well-organized with several large outdoor rings in addition to the indoor. Everything is clean and the horses look not only remarkably well cared for, but like very nice stock.

The lesson itself was great. Unsure in new surroundings and still lacking a little bit of confidence from the stressful situation at Kensington, I mentioned I like to ride smaller, calmer horses. I was paired with a funny little chestnut with a slightly strange gait named Homer. We rode in the gigantic indoor arena with about three or four other lessons going on around us. When I first entered the ring, I was nervous, thinking it would be very difficult to maneuver with so many other horses in the ring. But it wasn’t a problem at all. Everyone riding in there was very aware, responsible, and vocal and we all managed to stay out of each other’s way. I soon realized that even when crowded, being in an enclosed ring made all the difference for my stress level. I was far less tight on my horse’s mouth, far less tense in my entire upper body, and so much more able to enjoy myself.  I will certainly feel confident enough to push myself with more challenging mounts going forward. I would have no problem handling a horse like Max from Kensington in a closed ring like this; the problem is merely that at the ring in the park (and in the damn traffic circle) there is nothing preventing him from running totally wild if he gets spooked or simply doesn’t want to listen.

Best of all: there was jumping! We warmed up by cantering over some cavaletti, which are just jump poles placed on the ground; the horse doesn’t actually need to jump them but it sets the horse and rider up for the timing and movement of jumping. Then we moved onto some crossrails, which are two poles crossed like an x, the center point of which is usually less than a foot off the ground.  After so long, the feel of it all came right back to me. It’s like I immediately picked up right where I left off so many years ago, right down to having the same bad habits. The first couple of times we jumped a single crossrail, but we soon moved onto a line of two crossrails placed a certain distance apart. The idea is to get a certain number of strides in between these jumps in order to take off from a good spot for the second jump; this number of strides varies depending on your horse’s size and stride length as well as the speed at which you enter the line. I have always had a tendency to stare down at the second jump, getting myself too deep for a clean take off. I felt myself do it the first time and shook my head with a smile all the way around the ring. By the end of the lesson, I had forced myself to look up and through the whole line instead of staring down and we were able to get in a couple of perfect take-offs.

Jumping in general feels pretty incredible because you are briefly flying on the back of a thousand-pound animal. But when you hit the right spot and take a jump with a flowing, forward momentum and you stand up in your stirrups to get in jumping position, leaning over your horse’s neck as he arches through the air and the two of you are flying in perfect unison, there’s nothing like it. The only thing that I can think of that gives me anything like the same kind of pleasure is when I’m singing with someone in harmony and it’s so right on that you actually feel a “buzz” in the air. But this is far more intense, given the adrenaline that the physical thrill elicits. The first time I ever jumped, a tiny ten year old on the back of a fat little bitchy white pony named Delilah, I was hooked for life. After this lesson, I feel just as I did then. I want to jump, and I don’t ever want to stop.

Listen To Your Horse

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This weekend was the “Great Googamooga,” a grand shitshow in Prospect Park glorifying our culture’s current excessive obsession with food and drink, plus indie music. It’s not really my thing, and it’s definitely not an atmosphere I would recommend riding a horse into. But we did anyway and it wasn’t that bad.

Getting out of the barn and over to the ring was the tricky part. The transportational difficulties imposed on the area by the event caused a great deal of strain, particularly on drivers, who felt it was appropriate to honk their horns and scream in frustration at a line of horses returning from a trail with small children on their backs. Waiting for our lesson to begin, my riding buddy and I rushed to assist the short-staffed barn helpers to grab the distressed horses and get the kids safely to the ground.

I was filled with massive anxiety before I even left my house, doubled up on the floor with a stomach ache five minutes before I had to walk out the door. The jumpy horses and crying children did nothing to soothe my jagged nerves as I waited for my trainer to tell me who I’d be riding, hoping it would be someone I trusted (oh please let it be Allie, please please). She put me on Peaches, who can get pretty basketcasey in the traffic circle.  I tried not to freak out as I mounted up.

As we started walking around the first arc of the circle, I was on high alert. But Peaches wasn’t. Her ears were up but not super tense, they had the sideways droop that means your horse is pretty chill at the moment. Her walk was loose, her head was relatively low. She was fine. As we pulled up to wait for the crosswalk signal to count down, I let this information sink in. If she didn’t think there was anything to worry about, then I didn’t need to think so either. I didn’t need to rile her up, so instead I let her calm me down. We walked through the honking, screaming, siren-blaring bloody traffic circle and through the crowds of drunken, oblivious revelers thronging the main loop without incident. I must say this, though: These events are meant to bring people together, yes? They are ostensibly for enjoyment. But man, do they bring out the worst in some people. I have to believe that so much of the tension comes from so, so many of us–too many of us–all fighting for the same limited resources in this ridiculously small amount of land we all share. And I’m sure my awareness of this is heightened given that when I’m on the horse, I am in a very precarious, dangerous position. I know it’s a huge risk every time I get on a horse and I’m taking my life in my hands. But the thing is, it’s in all these strangers’ hands too. People who don’t know or just don’t care that they are putting me and anyone else who rides in the park in undue danger when they honk their horn, or scream, or rev their car through a line of horses crossing the street, or weave in between us with their bikes, cussing at us for ruining their workout rhythm, or wander in front of a horse with their headphones on, not even noticing that we’re there. Please, please understand that if you are around horses you are around volatile, sensitive creatures. Living things. Animals that will react in fear to protect themselves from what you may perceive as a typical New Yorker display of irritation at yet another thing getting in your way, but what they perceive as a massive threat that they should run away from immediately or they will die. So please be aware and please be careful. And be nice, for fuck’s sake! Just everybody everywhere, be nicer. Ok, PSA over.

The area by the ring was not more crowded than usual, since the Googamooga crap was in another part of the park. The lesson illustrated what I’d been realizing on the walk over, which was that I had to shut up all my nonsense and really listen to my horse. That was something that I used to really get deep into when I was a teenager, and I was riding horses for the first time whose training I actually had a hand in. I’d forgotten about it in the anxiety of everything else going on and on focusing so hard on regaining my strength. Peaches tends to be very uneven with her gait; on the bottom of the ring she would get very forward and almost out of control, but up around the turns and on the top of the ring she’d slow down and try to break into a walk. So as she changed, I changed my approach to her, sitting up tall and giving her half-halts along the bottom, then releasing almost all tension on her mouth up top and urging her on with my leg as much as I could. I found this leg toning exercise when it was Pinterest O’Clock at work the other day (http://www.t-tapp.com/articles/legs/index.html) and used it as a warm up before my lesson. I found that it gave me more to work with, as my legs tend to cramp up when they get fatigued from squeezing my horse and with a good warm up they felt more supple even when tired.

So, all in all, a good lesson. No panic attacks in the traffic circle. Better understanding of my muscles and how to get what I need out of them. And, ok, some disgust with humanity, but at least that hole of alienation in my heart can be filled with a renewed connection to a horse.

Muscle Memory

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Another one of the odd things about riding in the city is that I never tack my own horse. Back home on Long Island and at school in Virginia, I always arrived at the barn early for my lessons and groomed, saddled, and bridled the horse I would ride.  This barn is different. First of all, it’s completely disorganized. There’s no tack room, since the guy who owns the place seems to be a hoarder and the room that should be a tack room is filled with boxes, scraps of equipment, and other odds and ends. It makes my organization-loving fingers itch to get in there and straighten everything out. Without a tack room, there seem to be a number of cubbies and corners where the saddles are kept. The bridles are hung outside the stalls, sometimes on a proper hook but most often around the bars of the stall door or stuffed into a bag outside of it.

This disorganization makes the barn a very hectic place, especially on weekends when there are lots of people coming to ride. There are people, like myself, there for a scheduled lesson with a trainer. But there are also a number of walk-ins for trail rides or pony rides. Then there are the barn girls who are there either hanging around or working. They don’t seem to have any set schedule, so the trainers are always trying to figure out who’s staying, who’s going, who’s riding, and who’s working, in order to get somebody to help tack up the horses they need. There are only a limited number of people who know what equipment goes on which horse and where it is stored, so even with helpers it takes a great deal of management.

This weekend was especially hectic for some reason, so while we were waiting for my riding buddy to get there my trainer decided to put me to work. She shoved a big Western saddle into my hands and beckoned me to follow her, showing me the horse she wanted it lifted onto. She then led me down another aisle of the barn and back behind some stalls to a dark, dusty corner I’d never seen where we picked out another saddle for me to put on another horse who I had never met. After that, wiping my hands on my breeches, I said, “Ok, what’s next?” ready to throw myself into the work. I was kind of enjoying myself, walking around parts of the barn I’d never been to, doing the work that I enjoyed for so many years. But now we were ready for my lesson, so she told me I should just go bridle Allie, who had already been saddled and was waiting in his stall.

I walked off confidently, but as I approached his stall, I started to think doubtfully. I realized I hadn’t actually bridled a horse in about a decade. Saddling a horse was no sweat, all you do is put the saddle on his back; it’s like placing something on a shelf. But bridling is more complicated and is something that takes a certain amount of finesse. There are a lot more pieces of leather and buckles to negotiate, and it can also sometimes be a challenge to get your horse to take the bit. The way a bridle works is that the reins are attached to a metal piece called the bit. That goes inside the horse’s mouth and when you pull on the reins, the pressure steers them or tells them to stop. I think it’s important to be aware of this when you’re riding; through fear or through forgetfulness people sometimes treat the reins like a mechanical device, like the steering wheel or the brakes of a car. But it’s a metal thing in the mouth of a living creature. There’s no reason it would hurt the horse if used properly, but it is possible that it could hurt the horse if used improperly, as when people pull too hard or saw at the bit. So yeah, don’t do those things. But my point is, sometimes horses are like “Nuh uh, I don’t want that thing in my mouth,” and who can blame them? It reminds me of the talking door knocker in “Labyrinth” who Sarah has to trick into accepting the metal ring so she can knock.  I had no idea how Allie would react to it, and wasn’t sure I remembered all my tricks from back in the day.

I grabbed the bridle and walked into his stall, talking to him as I opened the door and patting him on the neck gently as I walked in so he wouldn’t be startled. I lifted the reins over his head and placed them further back on his neck. I stood next to his head, kind of awkwardly holding the loose amalgam of straps of leather that is a bridle in my left hand while I asked myself, “Do you remember how to do this?” But then I changed my approach. Instead of standing there trying to figure it out, I just started doing it. I shut my brain off and let my hands do what they remembered. Within seconds, it was done. I held the bit in front of Allie’s mouth, he took it nonchalantly like the lovely gentleman he is, and I pulled the crownpiece over his ears, tidying his mane underneath it and pulling his forelock out of the browband. My brain caught onto what was happening as I was buckling the throat latch and it was awed. It was like there was magic in my fingertips. It gave me that same rushing, tingling feeling in my gut that accompanies the faint whiff of  a scent from childhood, or the first few notes of a bass line from a song that I haven’t heard in years. It was frankly thrilling.

Relief

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This morning before I went to riding, I was filled with dread carried over from last week. I just wanted to stay in my comfortable bed and not get up and make myself confront the overwhelming anxiety I had developed about riding.

But I got up anyway and I walked to the barn in just a t-shirt for the first time this year on this lovely spring day. On the way there, I made myself enjoy the sun, the light breeze, and the pretty flowers instead of dwelling on how many other people would want to take advantage of this weather and would therefore be in the park, posing a threat to my safety.

I got to the barn and watched as all of my usual mounts either came in from a lesson right before mine or went out with other riders as I stood there: Emma, Allie, and Lieutenant all crossed off the list of potential horses I would ride today. All the safe ones, the easier horses I had to admit to myself I’d hoped my trainer would put me back on today. Yet when she handed me Max’s reins, I felt a kind of relief. It might have been relief that she still thought I could handle him, but I think it was also relief that I wouldn’t be allowed to fall back, that even though I was nervous I would be forced to try to push myself.

As we rode out to the ring, Max was in the lead with Emma behind us and my trainer in the back. We always cater to the horses’ preferences for the order we walk in. Max likes to be in the lead. I do not. I prefer that someone goes in front of me to provide a sort of buffer for whatever might startle the horses. I mused about the matching of personalities between horse and rider and wondered if Max and I were just a little incompatible. But that didn’t quite sit right with me. It’s not really my personality to want someone else to lead; it was only my anxiety in this particular situation that caused me to want to defer responsibility.  Naturally, it’s my way to take the lead. Even if I don’t fully know what I’m doing, I trust my instincts enough to carry me and anyone else with me who’s willing to trust them through. So that’s what I decided to do with Max. I bluffed. I told him that I was in control. I pretended to be confident when I was not. And in general, that served me pretty well.

This lesson went a lot better than last time’s. The park, while lively, was full of way less mayhem than last week. Max was lazy and perhaps a bit less playful.  In my attempt to prove to him that I was in control, I clamped down a bit too hard. Of course I always have to overshoot my mark when attempting balance. It was most apparent in the canter, but throughout the whole lesson I was holding on just a little too tightly on Max’s mouth. Even though he was trotting very slowly, I was vigilant, expecting him to try to cut in or buck at every second. Because of this, I didn’t give him enough rein for him to be comfortable and he fought back, tossing his head and getting wound up. This of course made me more wound up and more tense, making it more difficult for me to give him rein and trust.

After several attempts, I was able to relax my hands a little more and we got in a good, collected canter for about half the ring. He has the most comfortable, smooth, easy-to-sit canter of any of the horses I’ve ridden at this barn and really all I want is to be able to enjoy it. It is frustrating to stop and go so much because we are out of sync, especially when I can see that it’s largely my own doing.

In my frustration, there were times when I started getting annoyed at how difficult Max can be. I started thinking that I just wanted to enjoy my ride and that I would prefer a less green, more trained horse. But then I thought to myself that if I ever want to train horses myself, as I believe I do, then that’s crap. I can’t just ride for the enjoyment of it. I have to push myself to learn how to deal with these things all over again. I have to get over my fears and remember how to deal with misbehaving horses like I used to. And I have to do it in an unforgiving environment. Because like Frank says about New York in general: if I can do this here, I can do it anywhere.

Spring Trauma

Jess Filippi1 Comment

Today was harrowing. Like, I-don’t-know-if-I-can-keep-doing-this level of anxiety. I came home and sobbed on my cat just out of relief to be on the ground and back home.

My usual riding buddy was out of town this week so I was paired with two people who haven’t ever ridden at the barn before; a guy and a girl both just out of college who were clearly very experienced. The three of us rode out to the ring with me leading on Max, the horse I rode for the first time last week, the guy riding my friend’s usual mount, Bingo, and the girl on Allie.

It was last week that I finally admitted to myself just how much anxiety the ride through the traffic circle gives me. Every honk, every rev of an engine or squeal of breaks goes like a jolt through my nervous system and I tense up, preparing for my horse to run. Even if the horse ignores all that, the tension I am putting on the reins when pulling on his mouth in fear is going to infect him with my nervousness. It’s a terrible feedback loop.

Today going out to the ring I tried to be calm, feeling stable on Max and trusting him after he was pretty good about the traffic last week. However, when we got into the park we were greeted by an awful sight on the loop. An ambulance was parked on the bike lane and there was a group of people milling around. I think there was a biking accident, but there only appeared to be one injured person. The horses were alert and skittish as we neared the flashing lights, the crowd, and a woman pushing her stroller the bridle path to get around it. When asked to move off, she said she didn’t want her kid to see the accident, somehow oblivious to the danger she was putting herself, her child, and us in by getting in our way. Max started getting more agitated, pulling to the right and letting off some crow hops, and I immediately made the decision to get off and walk him past. I silently berate myself for not sticking it out when I do this, but the truth is I’d rather be safe than dead. As we walked past the accident, I heard the injured woman screaming, making horrific noises of pain or trauma or both as the paramedics attempted to move her.

I got back on and we rode to the ring without incident, despite the crowds of people running, yelling, throwing shit, playing loud music, clapping, etc, on the ballfields right next to the ring where the Little League had games today. The lesson itself wasn’t that terrible. Max is a bit of a handful. He’s a very sweet horse who is a pleasure to ride because of his very comfortable, smooth gaits. He has a great disposition; happy-go-lucky and friendly with the other horses. But he likes to play. He isn’t even that scared of everything going on around, but uses it as an excuse not to work and to mess around. Every time we got to the bottom of the ring, which is the part closest to the ball fields, he wriggled and cut in and tossed his head, threw a few bucks for good measure. I handled this all right, but we were very stop and go since I had to collect myself and reorganize us every time he did it.

Toward the end of the lesson his bucking became more exuberant and it was starting to wear me down. I was able to stay on just fine, the instincts of many years overriding any weakness in my legs, but the fear of getting bucked off was starting to gnaw at me, making me less sure in my seat. I have a tendency to lean forward when that happens which is exactly what you should not do when your horse is about to buck. My trainer decided it was time to intervene and she got on him and schooled him a bit at the canter. After that, she orchestrated some musical chairs so that the other girl got on Max and I got on Allie. She got a bit of a canter out of Max and was able to move him forward better than I had, with less antics. I had a lovely canter on Allie and felt happy to be able to do something right.

Part of me feels so bad about myself for not stepping up to the challenge that Max presents. He’s exactly the type of horse that I liked to ride ten years ago. He’s the type of horse that I think I would like to ride now and that I think I could learn a lot from, given the right atmosphere. If I was riding him in a quiet place, with a fence around the ring, it would be different. This situation is insane. I’m distracted and anxious almost the whole time I’m riding. The people around the ring, many of whom are children, have no awareness that their actions could scare the horses. Riding is a dangerous thing to do and that’s something I came to grips with a long time ago, but this is another level. This feels reckless. In this situation, I can only remain in my comfort zone, riding one or two horses like Allie and Emma that are small and easy. I’ll feel safer, but what’s the point? I won’t develop as a rider or ever get back to the level I used to ride at, which is incredibly frustrating since the physical level I’m at doesn’t match the mental level I’m at. Or, I can keep pushing myself on these more difficult horses. Which in a more stable environment would be my ideal, but which in this situation is massively stressful and seems like it will inevitably lead to me getting hurt.

This goes back to my earlier post about how my struggle with how much I should push myself. It’s a complex issue. I’m older now and I have more fear. That’s hard to admit to myself. I don’t want fear to limit me. But there’s a point at which as an experienced and responsible rider, I look at the situation and think: this is a disaster waiting to happen.

I was relieved to be on Allie for the ride back. Along the way, we encountered a large trail ride group full of total beginners. One of the riders was walking along side while one of the girls who works at the barn was trying to walk both her horse and the woman’s horse. It wasn’t going well, so my trainer took one of the horses from her. Max saw this mayhem and decided it was an opportunity; he wheeled and bolted off in a gallop in the other direction. I was impressed by how quickly and calmly the other girl brought him to a halt; as she turned him I actually heard his shoes skid across the asphalt. I think that was the last straw for me. Even though Allie is generally pretty chill about the traffic circle, my nerves were shot to hell. There were more than ten horses out there, and the more there are, the more one is likely to spook and scare all the others. Then the fire trucks came wailing through, their sirens screaming their approach. One of the trail horses took off for a few steps and the trail leaders scrambled to catch him. I was clamping down on Allie’s mouth, terrified that he’d bolt too. Telling myself to relax, hearing myself mutter soothingly, “it’s ooook, it’s ooook” to Allie but knowing I was really telling myself.  He started to prance a bit, speeding up and lifting his head. I knew it could be fine if I could make myself be calm, but I realized I just couldn’t. I hopped down and walked him the rest of the way. My instructor looked down at me from her horse and said that it was ok, that she understood my decision. I felt dumb anyway, but I also felt relieved. I walked next to Allie, who quieted down now, swinging his head low beside me and nuzzling me as I patted him. I pressed my cheek to his warm, shiny neck and took a deep breath.

I feel like I’m at an impasse. I don’t want to stop riding. I don’t ever want to stop again, not after I let so long go by without doing it. And I don’t have many options in the city. This barn is the only one I can really get to without a car. But days like this make me feel that this situation is not only unsatisfying, but also untenable and unsafe.

The Fall

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Today I fell off a horse for the first time since starting to ride again.

The last time I fell off was in 2006, when I was visiting someone who let me ride her horse. The mare was frisky and excited to be out after having not been ridden for a few weeks. Excited myself to be on a horse again after a nearly three-year gap between my last days on the riding team in college and this unexpected chance to ride, I decided against my better judgement to take her for a few jumps. Out of practice, I got left behind on the take off and was off balance when in her giddiness, she let out a buck in mid-air. I flew over her head and landed partially on my shoulder, partially on my back, knocking the wind out of me. I was stunned but uninjured, but it was the one and only time in my entire riding career that I fell off and didn’t get back on again. I was too shaken up.

Today’s fall was significantly less dramatic. I was riding Emma, the small, grey mare whom I’ve come to know quite well. At the start of the lesson, tracking right around the ring, she was moving very well; my one gripe with her is that she can often be very pokey, but today she was up and forward. On the ride over there, I had been distracted and anxious, stuck in my head worrying about some of the more looming aspects of the sort of general life crisis I’ve been going through lately. But as we trotted around, avoiding contact with the five other horses in the ring, I was able to settle my mind and focus. Emma can get very distracted by looking at what is going on around the ring and today there was a race in the park. Apparently not many people want to run a race in early March weather, so it was sparse attendance. However, there was a refreshment table set up right outside the ring that posed a potential threat. Each team we rode by it, I pulled Emma’s nose to the inside, making her connect with me and look away from the table. By the third time, she was ignoring it and working well with me. I felt relieved by the smoothness of her gait and our connection.

Once we switched directions, things changed. Emma prefers the right; on her left she can be awkward sometimes. Her speed cut in half, her feet stumbling and unsure, we quickly got out of sync. I squeezed and clucked, trying to coax some more energy into her trot to regain the fluidity that we had felt in the other direction. My sense of calm satisfaction evaporated, it was like someone threw a wrench in my gears.

Anxiety and frustration mounted, until it was our turn to canter. I set her up on the right spot on the rail and asked her for it, sitting deeper in the saddle and nudging her forward with my outside leg. No dice. One of the most frustrating feelings in the world, for me. You ask and ask and all your horse does is speed up her trot. You use all the strength in your legs squeezing as hard as you can to get her to go, and then your muscles get weak and you flop, disorganized and ineffectual. I pulled her back to a walk, reorganized myself, and tried again. I got a slow, short, and awkward canter out of her. I was a mess: frustrated with myself, angry at her. And feeling oh so sorry for myself that things were not going my way.

But then we switched directions again to take the canter on the right. Little miss perked right up again. She went right into a good, energetic canter that felt nothing like the awkward gait we had going the other way. I would have kept going, but my trainer was warning me about some activity at the table as I approached it. I pulled her down to a trot, employing the same inside rein that I had used to get her past there at the beginning of the lesson. But this time it didn’t work. The man at the table had a big garbage bag that he was rummaging around in and that was way too much for Emma. As I was trying to pull her nose toward the inside of the ring and nudge her body with my inside leg, she shied away from the bag, dropping her shoulder and veering away quickly and causing me to lose my balance.

Sometimes falling off a horse is a bit like vomiting when you’re too drunk. You sense it coming and you think “No no no no don’t wanna” and you fight it. But there comes a point when you realize its near inevitability and that it will be easier and probably better in the long run to just give in and let it happen. That’s what this fall was like. I was far off balance, hanging out over her side. I considered fighting it out, but didn’t know if she’d spook again or try to run. The upside to a situation like this is that you have a modicum of control over the fall. I was in a relatively good position to take the fall and decided to let it happen before the situation got worse. I went off to the right and landed on my right shoulder. The only scary part is that my foot got briefly caught in my stirrup, but I kicked it out and rolled. The ring is loosely-packed gravelly dirt, so I had a fairly soft landing and got up quickly. My trainer asked if I was ok as I walked Emma toward the center of the ring, groaning a bit as I pulled myself up on her back. “Yep, just annoyed,” I answered.

As I trotted her back to the rail, I felt much better. The fall had dissipated all of my earlier frustration and had somehow lifted my spirits. Without fear or hesitation, we picked up a beautifully smooth, fluid canter. It was the kind of movement that is the reason I do this, the kind that makes me feel alive and free. We slowed to a walk past the table, and finished on that high note.

There’s a lesson somewhere in all of this. Maybe it’s that getting worked up about things, being self conscious and worrying and overwhelmed by frustration is only going to end up with you on your ass. That sometimes “the worst” thing that can happen isn’t the worst, and isn’t even that bad. That sometimes taking a fall reminds you that you’re strong enough to take one and to get back up again.

Yoga of Riding

Jess Filippi1 Comment

In the past couple of months I’ve started going to yoga the day after my riding lessons. Riding is hard on the body (especially in conjunction with my almost completely sedentary lifestyle) and yoga has really helped with putting my body back together and strengthening my back muscles. Usually I ride on Saturdays and then go to a Sunday afternoon yoga class; it’s also a nice start to the week. This week I ended up riding Sunday morning and therefore will do both on the same day. It got me thinking about how there are a lot of similarities between the two disciplines.

When you ride with equitation in mind, there is a great deal of body awareness needed to not only keep yourself in correct position, but to effectively communicate with your horse. For example, I have a tendency to twist my right wrist about 90 degrees at this one part of the ring that is slightly downhill. This spot is a challenge for a few reasons: 1) it is near the entrance/exit to the ring, which the horses have a heightened awareness of since it is the path back to their warm, hay-filled stalls and 2) because of the slight downhill grade, it presents difficulty in the horse’s footing, balance, and stride. The ideal is to keep your horse at an even pace and stride throughout the ring; on a completely flat surface this is easier. But going downhill, the horse’s weight is shifted unevenly between front and back hooves. Being that this hill is on a turn, they also have a tendency to drop their left shoulders and cut the corner, throwing their left-right balance off as well. As a rider, going downhill can pull you forward. It’s important to keep your back straight, chest open and head up while sitting slightly back on your sit bones. If you keep your balance this way, you can help your horse keep his front-back balance. In addition, slight pressure with the inside leg and a small amount of tension on the outside rein will prevent him from cutting the corner, keeping him left-right balanced and making a nice round bend around the turn. This is where my wrist twist comes in. I was unaware that I was doing it, so focused on all the other elements of the turn. My instructor pointed it out to me. She often makes position suggestions based on first looking at how the horse is moving and then searching for the problem in the rider’s position. She saw that my horse’s gait was not flowing smoothly. We were generally balanced but kind of choppy and awkward going down the hill. Once she pointed out my incorrect wrist position and reminded me to achieve tension on the reins through a give and take from my elbows instead, everything changed in an instant. My horse’s head came up, his weight shifted, and his stride smoothed out. And that made everything else I was focused so hard on much easier too.

That feels so much like what happens in a yoga class. When moving into a new pose, I’m thinking hard about trying to juggle all the pieces of my body into place. Sometimes the instructor reminds the class to bring awareness to a part of the body that might be neglected in thinking about the more obvious parts. It’s amazing when you make one little adjustment, one tiny change and everything just clicks. Your body seems to flow and you stop thinking so hard. You breathe and relax into the position and that, for me, is kind of what it’s all about whether I’m doing yoga, or horseback riding, or anything else I do. That’s the moment where I feel free and powerful and right.

In Aldous Huxley’s last novel, Island, he talks about bringing awareness to every aspect of life. There are talking mynah birds all over the island trained to speak the words “Attention” and “Here and now, boys” as a reminder to sustain this awareness.  He writes:

“Be fully aware of what you’re doing, and work becomes the yoga of work, play becomes the yoga of play, everyday living becomes the yoga of everyday living.”

As I continue to learn to bring awareness to myself and my horse, I feel like I’m engaging in the yoga of riding.

Wild Horse

Jess Filippi4 Comments

I didn’t have a riding lesson last weekend because the weather finally caught up with me. It’s been a pretty mild winter so far, but snow on the ground and temperatures in the 20s is beyond the pale. Growing up, I never rode outside in the wintertime, instead moving into my barn’s large indoor arena in late fall. It’s a reversal that seems funny to me: in the city, where the majority of our lives is lived indoors, I am riding outside all winter. Indoor space is simply at too much at a premium here; we’ve penned it all up to rent it out for millions of dollars. The horses have their small barn to live in, but we’ve gotta ride them outside in the park.

To make up for the horse deficit that a week without riding creates in my heart, I rented this movie called “Wild Horse, Wild Ride” from Netflix. I discovered it during one of my periodic binges on the Apple Movie Trailers site and was immediately taken by the description:

Each year thousands of wild horses are rounded up and removed from public lands by the U.S. Government. All will need permanent homes. None has ever been touched by a human hand.

Wild Horse, Wild Ride tells the story of the Extreme Mustang Makeover Challenge, an annual contest that dares 100 people to each tame a totally wild mustang in order to get it adopted into a better life beyond federal corrals.

The movie follows a handful of contestants in the Challenge from when they take their horses home on Day 1 all the way to the competition on Day 100 as they do what has quite simply been my lifelong dream: train a horse from scratch.  The horses are completely wild at the start; confused, restless in a paddock, shy to human presence, let alone touch. Wild horses have personalities as distinct as the schoolies I know; some are congenitally calm and take to training very easily, some are more aggressive and recalcitrant. The trainers take small steps every day, forming bonds of trust that cut both ways–the horses must learn to trust trainers, but also the trainers must trust the horses enough to push them forward. Some of the best moments in the film are when the trainers are able to get on their horses for the first time, in their own time–one as early as Day 3, and one as late as Day 90.

Watching the movie reminded me of my dream to undertake this crazy mission of training my own horse. Not that I’d forgotten it, exactly, I just had sort of let it shrink away. As I’ve become more entrenched in my life here, the possibility of ever being able to do it has simply become more remote. But lately I’ve been re-examining my priorities. I think it began with my decision to start riding again after such a long time away from it. I realized that I never stopped wanting to ride and that if that was true, I just had to do it. It’s not perfect, it’s not even close to ideal, but for now I am riding and I am getting stronger and more confident and more in touch with my horse instincts every time I go.

I have been thinking, however, that it isn’t enough. I have this dream to train a horse, and it is not a dream that I can achieve here. In fact, most of what I want to do is not something to be done here. I want to ride horses every day. I want to hike in the woods and I want to watch birds. I want to drive a car and sing out loud with the music. I want to be able to play my bass guitar without worrying about disturbing my neighbors, who live 18 inches away from me. New York City is an amazing place to live, with a zillion incredible things in it. But they are not the things I want. So why am I paying a gargantuan rent to be near all these things? Additionally, it is inconvenient and expensive to do the things I like to do here because they are not city things, but elsewhere they are a regular part of life. It’s hard to see beyond the city sometimes, to imagine a life elsewhere. It’s a very special kind of tunnel vision wherein the awareness of the rest of the world recedes, and all you can see is concrete and stores and throngs and throngs of people…

For now, these are just thoughts. But they are gaining traction. I am tired and worn down from this city life, and ready to stop putting all my time, energy, and money into it while neglecting my true goals and dreams. All of this is to say, I guess, that perhaps I won’t be an urban equestrian for too much longer.

Barn Girls

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Despite the occasional alienation that riding in the city inspires, there’s one thing that remains reassuringly familiar at the barn: the young girls that spend almost all their free time there. I suspect they are to be found at every barn in the country. Some of them work there, helping to groom and tack the horses in exchange for lessons; some of them seem to just hang around. I know these barn girls well, having been one for most of my teenage years. They can be clique-ish, or  competitive with each other, but are mostly sweet and helpful to those of us that only ride there and aren’t part of the little barn family. They can fall in and out of favor with each other and with the various instructors that teach them, but one aspect of their loyalty remains unwavering: the intense attachments they form to the horses.

If they see you riding up to the barn on one of their favorites, they’ll scamper up to hug your mount and no matter how many times they’ve already seen the horse already that day, exclaim, “My baby!” and breathlessly ask you, “Was he good?” They don’t really want an answer; they want a connection. They love this animal so much and simply want to talk to someone else who loves him too. It’s like a teenager with a crush, having the absolutely insatiable compulsion to speak about the object of their affection, constantly, to know and to discuss every detail about them.

There’s one girl in particular who loves my favorite horse, so I end up talking to her most often. She’s probably fourteen and just slightly more awkward than the rest of her friends at the barn.  So in response to her asking me if he was good this Saturday as I dismounted and handed her the reins, I didn’t tell her that in fact he was a cranky nutjob that day. That he, despite being a male horse with no balls, sometimes for no reason tries to kick the other horses like the bitchiest mare. That for no reason whatsoever he has formed some strong convictions about going in the rightward direction around the ring. (We always start off the lesson going left, trot around several times, and then switch direction.) When I turn him to go right, the horse that was enthusiastic and responsive turns into a stubborn little mule who puts his ears flat back on his skull, bucks, backs up, and paws the ground. I didn’t tell her about turning him in tiny circles for ten minutes to prevent him from continuing with this rude behavior and that while I pulled his nose around toward his own tail he actually tried to–I swear I laughed out loud at this move–bite my foot. I didn’t bother to tell her these things because despite all of that–actually, because some of that, frankly the foot biting attempt was incredibly endearing to me–this horse is also my favorite horse at the barn.

He’s fun and he’s comfortable and he responds to the slightest little touch of my fingers on the reins when I want him to shorten his stride and become more collected so we can look pretty together. He doesn’t dance around when I’m trying to mount up and once I’m on, waiting, he stands patiently. He’s calm with loud noises and not that fazed when the more skittish horses in the group get jumpy. He’s small and wonderfully proportioned and has a shiny, liver chestnut coat that stands out among the more common bays and lighter chestnuts. When I lean down to pat him after the lesson is over, after we’ve fought and made up and he’s spent the rest of the time being his normal charming self, I bury my face in his mane and inhale the most reassuring and homey smell I know. I feel closer to this huge animal on this day than any other so far. And as I tell her, “Yes, he’s such a sweetheart!” and smile at the young girl, I feel close to her, too.

Push for Perfection?

Jess Filippi3 Comments

I didn’t post about last week’s ride because when I got home, freezing and beat up, I fell asleep for hours in a wide swath of sunshine on the bed, still in my breeches. Nothing that bad happened. It was just brutally cold and windy. My horse, a large Thoroughbred named Professor, is a big, energetic boy in normal circumstances. In those biting temperatures, he was ready to GO, charging forward and tossing his head to escape the pressure of my half-halts as I attempted to slow him to a pace reasonable enough for a ring full of other horses. With a martingale and a double rein, he was still simply too strong for me. We ended up trotting in small circles in one part of the ring for the whole lesson, lacking space and strength to do anything else. Then on the ride back to the barn, the wind picked up a stray plastic garbage can and it came skidding across the pavement in the traffic circle toward the horses, freaking them out. Professor wheeled in the opposite direction, which happened to be straight into traffic. It took everything in my arms and back to keep him still and safe. I was dunzo when I got home.

That’s why this week I was relieved to be greeted by a milder, sunny day and a ride on my favorite horse, Aladdin. I just needed a sane, productive ride after last week’s shitshow. But walking to the barn today, hoping for some respite, I wondered about my attitude. Shouldn’t I be pushing myself? A challenging horse can only make me a better rider.

Finding the right balance in how far to push myself has always been one of the toughest things in life for me. I want to push myself so I can get stronger and better. But it’s possible to push myself too hard and risk injury or burn out. My perfectionist tendencies have prodded me too far in that direction before, like when in one weekend I biked 50 miles, had softball practice (at which I also pitched the entirety of batting practice) and then attempted to do level 2 of Jillian Michael’s 30 Day Shred, during which I injured my quad so badly that I couldn’t get up off the floor. My pitching performance in the softball game later that week was piss poor because I still couldn’t put much strain on the muscle. After episodes like that, I vow to go easier on myself. But in my impatience I become a bully. Dissatisfied with my progress, I’ll start pushing myself again, wondering if I’ve been too easy on myself all along and thinking about the success I could have had if I’d only been less of a soft lazyass. And so it seesaws, back and forth. This seems to be the only way I ever acquaint myself with balance: I get a glimpse of it as I pass by while running back and forth between extremes.

I think that it was a good thing to have a break this week. Aladdin is small, quiet, and responsive, so I didn’t have to push myself to contend with a challenging horse. The thing is, I grew up competing with girls who only ever rode immaculately-trained pushbutton ponies and they looked like perfect pretty princesses out there in the show ring, but in my opinion that’s not riding. I rode every horse in the barn, running the gamut from sweet-tempered old friendlies to hot-blooded, tweaker Thoroughbreds, most of them outright batshit crazy in their own individual ways, and because of it in my prime I could handle just about anything.

Today I got to ride a horse that was easier to manage and because of that I was able to work hard on my equitation–my position, my horse’s balance and stride and bend around the corners–all the little things that one would be judged on in a show. Aladdin tends to drift inwardly on the long stretches and then can get stiff on the outside around the turns; so I worked my inside leg pushing him over to the rail and bending him around it on the corners. Then the next time around, I tried to do the same thing with more subtle movements of the reins and of my legs. Instead of just being a parcel on the horse’s back, I worked on uniting us, making us a single entity working in rhythm together.

These things may be subtle, but they aren’t easy. Every horse has his quirks; smoothing them over without looking like you’re doing anything and also maintaining correct position in every part of your body is no small feat. But equitation is about balance and subtlety, not perfection. I think that’s something it would be helpful to remember in the rest of my life as well.